Cryogenic Dawn
A smooth slow bloom from a dim fundamental into a pale upper shimmer.
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MOSASAUR / FREE MONOPHONIC SYNTHESIZER
A free monophonic synthesizer with two independent layers and 1,078 factory sounds. Draw a waveform, shape a vocal tone, follow a moving texture—or capture your own sound and play it again.
APPLE SILICON · macOS 13+ · AU / VST3 / STANDALONE · 1.30.101
The complete free Mono edition includes both sound-design layers. It plays one note per layer; unison adds copies. Polyphonic modes belong to the separate Mosasaur Poly product.
02Independent
sound layers
08Shared performance
macros
1,078Factory presets
plus Init
One played note.
A world of movement.
THE PRESET SHOWCASE
56 sounds selected by Mosasaur’s creator from 17 banks and categories. Explore each collection, from quiet resonances to the psychedelic movement of Hole in the Sky.
Every sound here is included with Mosasaur. Download once for all 1,078 factory presets plus Init.
56 samples across 17 groups
A smooth slow bloom from a dim fundamental into a pale upper shimmer.
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A rounded lonely ping followed by widely spaced dark echoes.
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A huge elastic monster growl: a snapping resonant mouth, bent pitch and a heavy rubbery bottom.
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A shattered ceramic impact blooms into an ominous detuned metal cloud.
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A rough talking lead whose moving harmonic peaks shift between open and pinched vowels.
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A gritty Tape echo with a decaying tail; sweep Echo reach for repitch dives.
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Half-note reverse Tape blooms feed a gentle MosaTap cloud.
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Noise-only fuzz contour woven through a tuned oscillator spine.
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A resonant acid bite driven into a coarse overdrive stage; slides between notes while its mouth opens.
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A low explosive strike followed by a short rasping metal tail.
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A deeply phased fuzz bass: strong sweeping cancellations move through a driven, sustained core.
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Soft Opto levelling and Grain on Osc 2 make a slow glassy cloud.
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Splice and coloured FET compression make a restless, torn halo.
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Master Glue links a wide lead and triplet MosaTap, with a firm output ceiling.
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Glass bells bounce left and right on unequal times, with gently changing brightness.
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A minor chord stab feeds centered tape echoes that darken and compress on each pass.
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A resonant rubbery bass pluck trails pitch-wobbled echoes with shifting crossfeed width.
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Down-octave reversed scraps drag behind a dry sub anchor.
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Bright near-sine FM-style plucks split into tiny pitched grains.
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A slow dark wash of smooth overlapping grains, with a restrained dry center.
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Nearly all-reversed long grains bloom out of the last played note.
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A clear pad with sparse bright fragments and a slow, deep history scan.
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A narrow metallic signal breaks into irregular grain transmissions.
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Deep double-saw pressure with a faint minor-second beat and slow filter breathing.
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Inharmonic wire-like tones and wavering pitch above a solid sine-sub foundation.
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A massive layered finale: detuned low saws, a tritone halo and a crawling semitone voice.
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An octave-wide falling fuzz ribbon pulled through a resonant flanger; its stereo tape echoes rise while the source falls.
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A continuous ascending octave spiral with falling replies and a wide stereo orbit.
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A metallic strike scatters into reverse grains with random pitch, followed by separately bending stereo echoes.
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A bright point becomes a cloud of short, high, mostly reversed grains; fast pitch tremor rides on a slower six-semitone descent.
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A sixteen-step interval ritual turns against a faster amplitude pattern; the filter cycle continually speeds up and slows down.
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Heavy struck metallic hit; a dense attack decays into a hollow harmonic tail.
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Rapid irregular stepped morph sequence with chopped dynamics.
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Low mechanical pulse with alternating harmonic gaps and dry centre.
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Descending impact-like burst with a long resonant tail.
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Wide octave-and-fifth steps rise and descend through tape warmth.
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Glassier phase-modulated minor steps reach upward and tumble down.
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Six alternating taps answer a clipped sixteen-step pattern.
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Dark wide harmonies slowly dissolve into a sixty-four-tap cloud.
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Play a few notes to fill the cloud, then raise macro 8 to hold it.
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A glassy arpeggio rides alternating rising and falling tap bursts.
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Hard Clip NUKE. A dissonant high halo with hard clipped ridges and spacious tails.
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Asymmetric NUKE. A lopsided resonant swing that rolls across the stereo field.
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Fuzz NUKE. A blunt buzzing blade swells rhythmically through a resonant filter.
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Fuzz NUKE. A smoky sustained fifth opens gradually into dense, soft-edged fuzz.
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Narrow bright lead with a focused upper-harmonic whistle.
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Bright string-like pluck with slow stereo beating.
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Dark vowel-like pad with a fifth above a stable root.
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Sparse angular harmonics with mild phase modulation and torn edges.
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Deep bronze bowl tones with a long, exposed ring.
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A luminous, softly struck bowl with slow shimmering mode pairs and a smooth, exposed fundamental.
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Low, wide tearing bass with slow grain movement and a distorted Sub foundation.
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Biting pulse lead; feedback PM and a rising sequence pull against unstable grains.
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Metallic ring-and-PM sequence through wavefold, phaser and a restrained dark reverb.
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Noise-laced gated fuzz with irregular grains, slow ring movement and dark space.
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A distorted bass with a sweeping phaser character.
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No matching sounds. Try another name or choose All banks.
Rendered directly from Mosasaur factory presets. Playback levels are balanced for this showcase; no added effects. Choose any player to listen. Starting a new sample pauses the previous one.
01 / UNDO, REIMAGINED
That earlier Resonance change no longer fits? Mute it in History, then keep the envelope, pan and other edits you made afterward. Restore it to compare ideas.
Selective muting applies to eligible edits in the current patch history. When edits affect the same control, the latest active value wins.
Try selective History · Quick Start, page 5 ↗02 / SEE WHAT YOU HEAR
Watch a saw change as Body and NASTY reshape it. Explore Scope, Spectrum, Spectrogram, Modulation and Stereo views at the source, layer or master.
The Mixer brings source, layer and master levels together. Master True Peak and loudness meters help you judge the final output.
Try the Scope comparison · page 19 ↗03 / A VOICE WITH NO SINGER
Choose Voice from an oscillator’s Wave menu. Move between vowels, change the vocal character and enter a short phrase in Lyric mode. These are synthesized vocal tones; no recorded singer or sample library is required.
Glottal is also available for a simpler vocal excitation source.
Make your first vocal sound · page 11 ↗
GO DEEP. STAY IN CONTROL.
Shape the harmonics, sculpt the movement,
and put the changes under your fingertips.
Ten distortion types, from Warm to Wavefold, Fuzz and Bit Crush. Character shapes the oscillator before distortion. Push WRECK through 1x, 5x and 10x to NUKE, with extreme Wavefold, Tear and Gated Fuzz shaping.
Separate amp, filter, source and modulation envelopes. Shape the attack and stretch amp, filter and modulation timing with independent 1x / 5x / 10x controls.
Sixteen modulation routes per layer. Connect LFOs, envelopes and performance sources to the controls that matter. Use eight shared macros to bring changes together.
Phase modulation, ring modulation and hard sync open up new textures. Refine them with source and layer EQ, unison, stereo placement and effects.
Custom: draw two frames, edit their harmonics and morph between them. Wavetable: import or edit tables and scan their frames. Sample: import WAV/AIFF, set root pitch, trim, loop and retrigger. Voice: synthesize vowels and phrases.
*At 10x on supported amp, filter and modulation time stages. Source envelopes have their own ranges. Character availability depends on waveform.
TEXTURES WORTH GETTING LOST IN
Moving phase jumps and crossfades turn a familiar waveform into a jagged, restless texture. Find it in the oscillator Character menu.
Capture up to four seconds of played audio. Scatter, pitch and reverse its fragments, then freeze a moment into a shifting cloud.
Up to 64 taps with stereo movement, Smear, Drift and rhythmic Chop. Watch the live map as the pattern unfolds.
Bring several controls together without hunting through the instrument. Add a Motion arpeggio or sequence, then shape its pitch, velocity, ties, probability, ratchets and step conditions. Run freely or follow your host’s tempo.
04 / CAPTURE AND RESAMPLE
Capture a sound you made, put it into a Sample source, and play it at another pitch. Use an offline capture for a held sound or Live Capture for a performance and moving controls.
Import your own WAV or AIFF files and build a personal library with collections and favorites. Managed copies leave the original files in place; saved presets can include their sample audio.
Capture your first sound · page 14 ↗
PICK A SOUND. START MAKING IT.
Six practical recipes from the illustrated Quick Start.
Listen, then follow the exact settings in the PDF.
5 min / FROM INIT
Give a low note a bright attack and a rounded body.
Follow the recipe · page 6 ↗3 min / FROM INIT
Add a repeating change in brightness.
Follow the recipe · page 7 ↗4 min / FROM INIT
Build a small unison stack and add character.
Follow the recipe · page 8 ↗5 min / FROM INIT
Draw, edit harmonics and compare two frames.
Follow the recipe · page 9 ↗5 min / FROM INIT
Shape a held vowel before moving to words.
Follow the recipe · page 11 ↗5 min / FROM INIT
Turn a synthesized tone into a playable sample.
Follow the recipe · page 14 ↗THE CURRENT INSTRUMENT, UP CLOSE
Explore current Mono screens.
Choose a view and enlarge it to inspect the controls.
Start at the source: oscillators, Sub and Noise, filter, Character and envelopes.
Actual Mosasaur screens. Select a view, then enlarge it to inspect the controls. Example settings and preset counts vary.
A NEW VIEW. MORE SOUNDS TO EXPLORE.

Switch the synth’s appearance to suit your studio. Choose pale panels and dark labels, or stay with the familiar Dark theme.
Living Current brings evolving textures and flowing sequences. Haunted Depths explores heavy, discordant drones. Echo Atlas puts pronounced, changing echoes at the center of each sound.
These collections are included in the 1,078 musical factory sounds. Find them under Showcase Banks.
Get Mosasaur Mono 1.30.101 and the guides ↗YOUR NEXT SOUND STARTS HERE
1,078 factory presets. Deep sound design.
A free synthesizer for curious ears and hands-on exploration.
Version 1.30.101 · AU, VST3 and standalone.
AU, VST3 and standalone, with both sound-design layers and all 1,078 musical factory sounds. The installer includes both guides.
Get Mono and the guides ↗A LITTLE HELP, WHEN YOU NEED IT
Find a control, work through a question,
or tell us what isn’t behaving as expected.
INDEPENDENT BY NATURE
Michael Gager
Creator
Chief Executive Mosasaur
The Mosasaur monosynth is free and always will be. If it earns a place in your projects, you can buy me a coffee — support goes toward development tools and expanding what the next version can do.
Buy Me a Coffee